But to inhabit is also to withdraw. Here, silence and voids coexist in warmth. To live within such a space is to confront forms of existence that reveal themselves only in the expectation of hiding, in the quiet patience of lingering. La Casa allows sheltering while tethering us to the traces of the world and the ghosts of our own histories.

“The home is the first place where the world takes form - Knowledge, culture, and emotion are materially produced”

Daniel Mebarek, Fotos Gratis, 2022-2025
Andrés Barón, Indexes and Kodak, 2019
Dylan Altamiranda, Torre, 2019
Marlon de Azambuja, Luz - 2015/2025, Cement bulb, cable
Facundo Cerain, Installation. Piece from the “Ritmo de floración” series and pin cushions from the “San Sebastián” series.

Raphael Maman, Table 4

We often dismiss the domestic as trivial or private, maybe even apolitical; but it’s here, in the small acts of daily life, that we first learn what it means to live ethically. To cook, to host, to share, to attend to another: these gestures transform private interiors into fragile architectures of relation. La Casa becomes a site where lives intersect. Every act of care: folding a shirt, keeping a letter under a bed, rearranging a chair, reorders our space and in return our being. It is a miniature cosmos, where repetition sustains what might otherwise vanish, a slow philosophy of continuity.